Project Description

Following on from the success of the wind farm photo-story MANOR magazine commissioned me to document Plymouth’s recent architecture. The brief is probably best described with Imogen’s kind words accompanying the story in the publication:

[fusion_builder_container hundred_percent=”yes” overflow=”visible”][fusion_builder_row][fusion_builder_column type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”][fusion_testimonials design=”classic” backgroundcolor=”” textcolor=”” random=”” class=”” id=””][fusion_testimonial name=”Imogen Clements” avatar=”none” image=”” image_border_radius=”” company=”Publishing Editor – MANOR” link=” ” target=”_self”]So we asked Andrew Butler for some pictures to support Sean Vaardal’s feature on Plymouth and were so blown away by what arrived in our inbox we decided to make them this issue’s photostory. To look at them you’re reminded of the opening sequence of House of Cards, but this is Plymouth, and Plymouth as you’ve never seen before. As Butler expertly demonstrates, it’s clearly time to take a closer look[/fusion_testimonial][/fusion_testimonials]

These architectural photos were shot on a single day, Good Friday; we were lucky with the weather, Storm Katie hit the South West the following day.